6/6/2023 0 Comments Atlas anamorphic on movi pro![]() While it’s not the cheapest lens on the market and not even the cheapest anamorphic, it’s a steal for the quality. The new Atlas Mercury Series is currently available for pre-order at an MSRP of $5,995 each for the 36mm, 42mm, and 72mm. This includes unified focus and iris positions with standardized gears, which will make switching lenses on set super quick and easy. The Mercury series will also feature a robust and reliable mechanical design that emphasizes professional usability. Standardized gears and diameters with 95mm front diameter.The Mercury 42mm is 2.3 lbs / 1.1 kg in weight and 4.4 in / 11.2cm in length.Lightweight and compact: Half the size and weight of most pro anamorphic lenses.Golden streak flares, pleasing barrel distortion, near-zero chromatic aberration.Exceptional optical performance with vintage geometric personality.Still from 'Agua Miel' Credit: Atlas Lens Co Features and Specs With this series, Atlas wanted to find an “ideal balance of compact size, weight, optical performance, and professional-focused usability across a variety of productions.” If the Orion series is anything to go by, they may just succeed. Now the Glendale, California-based company has announced a new set of anamorphics with the 1.5x Atlas Mercury Series, which they claim will make “cinematography more interesting, more personal, and more rewarding for creative image-makers everywhere.”īut in a world with affordable anamorphic lenses and adapters coming from every corner of the globe, will the new Atlas Mercury lenses stand a chance? Let’s dig a bit deeper. The Mercury Series 1.5x Anamorphic Credit: Atlas Lens Co. Netflix's Don't Look Up was shot on a set of Orions, in case you were wondering. This started with the 2x Atlas Orion Series, a pretty killer set of anamorphic lenses, and recently features the world’s widest front anamorphic cinema lens in production, the Orion 21mm. was started to create glass that the founders could use on their own projects, as well as sell to other creatives. makes quality anamorphic lenses affordable.Ī fairly new company in the cinema lens landscape, Atlas Lens Co. The wide aspect ratios that are typically used when shooting anamorphic require different composition, blocking and even editing when compared to narrower aspect ratios.For its sophomore release, Atlas Lens Co. As more and more productions use digital cameras many cinematographers gravitate towards vintage lenses, both spherical and anamorphic to add imperfection back to their digital image. Shooting on film inherently adds character and interest to an image but digital offers a more clinical and clean look. In recent years, anamorphic lenses have once again become popular. Thanks to Panavision's improved designs anamorphics once again dominated in the '70s and '80s forever associating the anamorphic aesthetic and ‘scope’ aspect ratio with high budget epic movies. In the late '60s, Panavision released their C-series of anamorphic lenses. Like clothing trends, anamorphic has fallen in and out of fashion.Ĭinemascope enjoyed a boom in the early '50s but its use quickly declined in favor of technically superior spherical ‘flat’ widescreen formats. If you’d like to learn more about the optical design and aesthetics of anamorphic lenses, check out this incredible video by Media Division:Īnamorphic Lenses Today Cinemascope's legacy ![]() A wide variety of looks can be achieved with anamorphic lenses. Vintage anamorphic lenses have lots of imperfections but some modern anamorphics are almost indistinguishable from their spherical counterparts. These practical considerations are no longer relevant as modern digital cameras are capable of emulating different capture formats.Īs with all lenses, anamorphic lens designs have improved greatly over the past 80 years. 1.33x squeeze lenses were designed to produce the same aspect ratio with a 1.78:1 (16:9) digital sensor. But in the past different squeeze factors were used to produce different aspect ratios when combined with different sized film or digital sensors.įor example, the most common type of anamorphic lens is a 2x, which was originally designed to produce a 2.39:1 (or similar) aspect ratio image when used with 4-perf 35mm film. Nowadays, cinematographers typically choose the squeeze factor based on the aesthetic of the image it produces. The stronger the squeeze the more pronounced the ‘anamorphic look’ becomes. There are many different types of anamorphic lenses commonly called ‘Scopes,’ each with a different strength squeeze. Anamorphic types Different types of anamorphic lenses
0 Comments
6/6/2023 0 Comments Ireal pro composing tutorial![]() The app allows greater interaction for the player, giving us the ability to change the key, tempo, and accompaniment style. More recently I've been using an app called iReal Pro, based on the iconic Real Book series of “fake books” used by pros and students to study and perform jazz tunes. There are also collections of well-known standards from various eras, and technical exercises such as the common harmonic progression ii-V-I, in all 12 keys. The volumes are often organized in homage to a particular player or composer such as John Coltrane, Thelonious Monk, Tadd Dameron, or Antonio Carlos Jobim. My personal experience involves a dozen or more of the over 150 Aebersold recordings, which include a book with sheet music in concert key and bass clef, and transposed for Bb and Eb instruments. The recordings feature professional musicians on piano, bass, and drums, sometimes guitar, playing accompaniments for Jazz standards. Playing along with records has long been part of any Jazz player’s development, and for decades Jamey Aebersold has dominated this field. Now I want to bring to our readers’ attention a new project he has launched, namely the Jazz play-alongs. ![]() During the course of our first conversation I found him to be an engaging personality, sharing jokes and anecdotes from his years as a sideman for major acts like Jack DeJohnette, and generally a good person to hang with.Īlthough opportunities to perform with him have been infrequent, I have attended numerous masterclasses and concerts which he organized as a professor at PSU, and enjoyed listening to and sitting in with his group at Living Room Theaters on SW 10th Avenue. I submitted questions via google docs and he answered in writing, reminding me of the enjoyment and edification I used to get reading his blog.Īside from seeing his many credits seen in magazines such as Downbeat, I first became aware of George Colligan's work when he came into the now defunct Blue Monk Jazz club to sit in one night. I asked George some questions about the play-alongs as well as his pandemic experience as a performing artist and educator. George Colligan moved his jazztruth series from the blog format to a video platform featuring locally-sourced, artisanal play-along videos of Jazz standards, gear reviews, lessons on technique, and analysis of solos by noted players such as Chet Baker. George Colligan's Jazz Truth: Play-along videos and other means to deal with the situation / Q&Aīy MICHAEL "SHOEHORN" CONLEY // George Colligan has recently moved his jazztruth series from the blog format to a video platform featuring locally-sourced, artisanal play-along videos of Jazz standards, gear reviews, lessons on technique, and analysis of solos by noted players such as Chet Baker. A dry run can also be performed by prepending the command with echo. ![]() Here we're still using -i though to give a chance to the user to abort before a file is lost/overridden in the process. You can also always use a loop in simpler shells like bash: for file in MD18*.log doīut it won't have any of the safeguards of the specialised tools. Here, your task is relatively trivial as it's just a matter of removing the first 4 characters of files that start with MD18, so: rename 's/^MD18//' MD18*.log Next we extract the very first character of the input variable input, resulting in the single. Zsh comes with a zmv auto-loadable function that can use the full power of zsh filename generation and expansion operators. 1 Upvote How to remove first 5 characters in file name using batch rename kathleen08 Community Beginner, I have a series of files that are named like: 0001 IMG5564 I would like to remove the first 5 digits of the file name (0001 /4 numers and a space), so I am left with IMG5564. Windows batch delete folder and subfolders - Shell bash. It used to be quite popular but seems to have fallen out of fashion lately. ![]() Mmv is a dedicated batch renaming tool, also from the 80s. There's also an unrelated but very limited command called rename in the util-linux package. That one can use all the power of perl's string processing capabilities, so the possibilities are endless. So, we have explained how you can perform these tasks in detail in the following subsections: Using File Explorer’s Rename Feature. There are several of them, the most popular ones being perl's rename, a very short example script that used to be shipped with perl since the 80s but has still evolved into something more advanced (and several variants thereof). I'd use tools designed for batch renaming as they're good at making sanity checks before doing anything or have dry-run modes that show you what they would do instead of doing them. The first name in an abstract pathname may be a directory name or, in the case of Microsoft Windows UNC pathnames, a. (And folders too) Whether you want to add sequential numbers, change case, change extensions, remove or convert spaces, add folder names or each files. Type: Internal (1.0 and later) Syntax: RENAME (REN) d:pathfilename filename Purpose: Changes the filename under which a file is stored. |