6/6/2023 0 Comments Atlas anamorphic on movi pro![]() While it’s not the cheapest lens on the market and not even the cheapest anamorphic, it’s a steal for the quality. The new Atlas Mercury Series is currently available for pre-order at an MSRP of $5,995 each for the 36mm, 42mm, and 72mm. This includes unified focus and iris positions with standardized gears, which will make switching lenses on set super quick and easy. The Mercury series will also feature a robust and reliable mechanical design that emphasizes professional usability. Standardized gears and diameters with 95mm front diameter.The Mercury 42mm is 2.3 lbs / 1.1 kg in weight and 4.4 in / 11.2cm in length.Lightweight and compact: Half the size and weight of most pro anamorphic lenses.Golden streak flares, pleasing barrel distortion, near-zero chromatic aberration.Exceptional optical performance with vintage geometric personality.Still from 'Agua Miel' Credit: Atlas Lens Co Features and Specs With this series, Atlas wanted to find an “ideal balance of compact size, weight, optical performance, and professional-focused usability across a variety of productions.” If the Orion series is anything to go by, they may just succeed. Now the Glendale, California-based company has announced a new set of anamorphics with the 1.5x Atlas Mercury Series, which they claim will make “cinematography more interesting, more personal, and more rewarding for creative image-makers everywhere.”īut in a world with affordable anamorphic lenses and adapters coming from every corner of the globe, will the new Atlas Mercury lenses stand a chance? Let’s dig a bit deeper. The Mercury Series 1.5x Anamorphic Credit: Atlas Lens Co. Netflix's Don't Look Up was shot on a set of Orions, in case you were wondering. This started with the 2x Atlas Orion Series, a pretty killer set of anamorphic lenses, and recently features the world’s widest front anamorphic cinema lens in production, the Orion 21mm. was started to create glass that the founders could use on their own projects, as well as sell to other creatives. makes quality anamorphic lenses affordable.Ī fairly new company in the cinema lens landscape, Atlas Lens Co. The wide aspect ratios that are typically used when shooting anamorphic require different composition, blocking and even editing when compared to narrower aspect ratios.For its sophomore release, Atlas Lens Co. As more and more productions use digital cameras many cinematographers gravitate towards vintage lenses, both spherical and anamorphic to add imperfection back to their digital image. Shooting on film inherently adds character and interest to an image but digital offers a more clinical and clean look. In recent years, anamorphic lenses have once again become popular. Thanks to Panavision's improved designs anamorphics once again dominated in the '70s and '80s forever associating the anamorphic aesthetic and ‘scope’ aspect ratio with high budget epic movies. In the late '60s, Panavision released their C-series of anamorphic lenses. Like clothing trends, anamorphic has fallen in and out of fashion.Ĭinemascope enjoyed a boom in the early '50s but its use quickly declined in favor of technically superior spherical ‘flat’ widescreen formats. If you’d like to learn more about the optical design and aesthetics of anamorphic lenses, check out this incredible video by Media Division:Īnamorphic Lenses Today Cinemascope's legacy ![]() A wide variety of looks can be achieved with anamorphic lenses. Vintage anamorphic lenses have lots of imperfections but some modern anamorphics are almost indistinguishable from their spherical counterparts. These practical considerations are no longer relevant as modern digital cameras are capable of emulating different capture formats.Īs with all lenses, anamorphic lens designs have improved greatly over the past 80 years. 1.33x squeeze lenses were designed to produce the same aspect ratio with a 1.78:1 (16:9) digital sensor. But in the past different squeeze factors were used to produce different aspect ratios when combined with different sized film or digital sensors.įor example, the most common type of anamorphic lens is a 2x, which was originally designed to produce a 2.39:1 (or similar) aspect ratio image when used with 4-perf 35mm film. Nowadays, cinematographers typically choose the squeeze factor based on the aesthetic of the image it produces. The stronger the squeeze the more pronounced the ‘anamorphic look’ becomes. There are many different types of anamorphic lenses commonly called ‘Scopes,’ each with a different strength squeeze. Anamorphic types Different types of anamorphic lenses
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